Stephanie Powell Watts’ Debut Novel!

No One Is Coming to Save Us

Winner of the NAACP Image Award for Outstanding Literary Work

Inaugural selection by Sarah Jessica Parker for the American Library Association’s Book Club Central Read More

Named one of the best books of 2017 by Entertainment Weekly, W Magazine, Bustle, The Millions, Babble, Redbook, Elle, Nylon and The Chicago Review of Books

The Great Gatsby brilliantly recast in the contemporary South: a powerful first novel about an extended African-American family and their colliding visions of the American Dream. No One Is Coming to Save Us is a revelatory debut from an insightful voice that combines a universally resonant story with an intimate glimpse into the hearts of one family.

“A skillful riff on The Great Gatsby… Watts writes about ordinary people leading ordinary lives with an extraordinary level of empathy and attention….The ways in which No One Is Coming to Save Us intersects with and veers away from Fitzgerald’s familiar plot can be very rewarding… Every departure can be seen as a sly comment on what it means to be a person of color in today’s America…. The novel’s intricately plotted relationships pay off satisfyingly in its final chapters.” —New York Times Book Review

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Stephanie Powell Watts

Stephanie Powell Watts won the Ernest J. Gaines Award for Literary Excellence for her debut story collection, We Are Taking Only What We Need (2012), also named one of 2013’s Best Summer Reads by O: The Oprah Magazine. Her short fiction has been included in two volumes of the Best New Stories from the South anthology and honored with a Pushcart Prize.

Ms. Powell Watts’s stories explore the lives of African Americans in fast food and factory jobs, working door to door as Jehovah’s Witness ministers, and pressing against the boundaries of the small town, post-integration South. Her debut novel, titled No One Is Coming to Save Us, follows the return of a successful native son to his home in North Carolina and his attempt to join the only family he ever wanted but never had. As Ms. Powell Watts describes it, “Imagine The Great Gatsby set in rural North Carolina, nine decades later, with desperate black people.”

Born in the foothills of North Carolina, with a PhD from the University of Missouri and a BA from the University of North Carolina at Charlotte, she now lives in Bethlehem, Pennsylvania where she is an associate professor at Lehigh University.

Stephanie Powell Watts